Miriam Medrez‘s dialogue with the sculptures of Louise Bourgeois immediately places her in the psychoanalytic realm, begging for such a reading of her work. Though the sculptures cross over from subconscious language or symbols and moves into more concrete, if archetypal, fears of being a human, questions not necessarily proper to the realm of psychoanalysis, but to art and the humanities in general.
Words by Gerardo Villarreal López

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